SUKO Magazine is an artist-run, Montreal-based publication featuring the work of artists and cultural workers based locally and internationally. As part of our committed effort of featuring underrepresented perspectives, this issue was made with the intention of broadening our commitment to building an arts community rooted in compassion and exchange.
SUKO Vol. 3 kindles with frontiers. The following pages reveal discussions critiquing imposed political barriers, tangible and symbolic borders, categorized identities, and binary worldviews. This issue features an array of photography, writing, styling, object design, and more, all expanding on ideas of the either/or, the here/there, the back/forth, and the blurry space of the in-between. The selected works reveal varying perceptions and challenges brought on by the copious ways in which borders and boundaries exist. Placed in context with one another, these contributions honour lineage and storytelling as methods of truth telling and resistance against ongoing forms of violence and occupation. Together, they challenge established modes of othering and divisive tactics, ultimately contributing to a collective effort that prioritizes change, reparation, and liberation.
Our hope is that this issue’s content inspires reflection and prompts activation in readers. We extend our gratitude to all our contributors and wonderful artists who worked on this issue, we appreciate you all.
8.5 x 11” , 205 Pages
SUKO Vol. 3 kindles with frontiers. The following pages reveal discussions critiquing imposed political barriers, tangible and symbolic borders, categorized identities, and binary worldviews. This issue features an array of photography, writing, styling, object design, and more, all expanding on ideas of the either/or, the here/there, the back/forth, and the blurry space of the in-between. The selected works reveal varying perceptions and challenges brought on by the copious ways in which borders and boundaries exist. Placed in context with one another, these contributions honour lineage and storytelling as methods of truth telling and resistance against ongoing forms of violence and occupation. Together, they challenge established modes of othering and divisive tactics, ultimately contributing to a collective effort that prioritizes change, reparation, and liberation.
Our hope is that this issue’s content inspires reflection and prompts activation in readers. We extend our gratitude to all our contributors and wonderful artists who worked on this issue, we appreciate you all.
8.5 x 11” , 205 Pages